The journal on portikus. A wide spectrum of contributions including essays, interviews, fictional writing or photo- and video-contributions provide a closer Buddhismus Gay Facebook Covers on artistic interests and reflect on topics that concern our society, politics and culture. Simone Fattal, The Manifestations of the Voyage,exhibition view, Portikus, Frankfurt am Main. Photography by Wolfgang Günzel. I arrived in California in I had left behind all I had, whether in Paris or Beirut. I had left my beloved studio. I had stayed in Beirut, although the Civil War was in its fifth year, till then, partly because I was still painting, and partly because I had not understood that the war was never going to end. Hearing myself say this I understood that that sentence had no meaning, that the war was never going to end, I was just wasting my time, my life, waiting for it to end. In California, I had met two persons, a young woman and a young man who both had started their own presses. At that time, it was still forbidden to let the adoptee know the name of his biological parents, a thing which all children end up wanting to know. Laura was a wonderful friend who gave us the use of this fantastically beautiful place in New York whenever we were going through. The editor refused the poem. That poem, I loved so much, I Buddhismus Gay Facebook Covers not want it to be lost. In AprilEtel had a new bout of back trouble and spent a month or so in bed. The idea of publishing that poem, as a gift to her, came to me. These two persons I have just mentioned had played the role of inspiration. The young man who was living in the Bay area taught me how to make a book. Already, although it was a chapbook I wanted to have an ISBN, a Library of Congress catalog number, and a name for the press. Installation view - Simone Fattal, The Buddhismus Gay Facebook Covers of the Voyage,exhibition view, Portikus, Frankfurt am Main. I asked Etel to draw a moon, which became the logo of the press, and another for the back cover. Etel made many drawings before we settled for the one which you find on all the books on the first page. I named it The Post-Apollo Press, an impossible name. I still receive questions about it. The feminist community decided that it meant after Apollo, the Greek god! This chapbook I took to the bookstores, I had copies in my bag and never lost an opportunity to sell it everywhere I went. I kept the slip I got from City Lights Bookstore, as to have my book there in this historical and prestigious place was magical to me. But if you translate it I will publish it. And it is really this simple sentence which led me to have a press. Because when you make a book, you have the responsibility to give it a life, and the only way is to give it companions, so that you can get distribution. We were in Junewhen the galleys started to arrive, from the East Coast where Georgina lived. Etel was sick in bed, during the whole time of the Israeli Invasion of Lebanon of that summer. So in a matter of two months I had two books, a chapbook and a novel. There was a progressive community in the U. This community had mobilized around the country against the ongoing invasion, which enabled me to meet them. The title was from a poem by June Jordan. The readers were to be Americans, Arabs, and Israelis from the Peace Now Movement. The meeting with these two formidable poets, June Jordan and Sara Miles, was to be crucial to my introduction to the poetry community and the progressive community. They helped a lot, giving me tips and names to whom to send the book. I printed copies of Sitt Marie-Rose, which was even in the eyes of the printer a huge number. But I told him, four thousand is cheaper per book than 3… I really thought I was spending the last money I was to receive from home. My conviction was that we had lost Lebanon the way we had lost Palestine. And it is only because of the fierce resistance of the Lebanese people that this did not happen. I resolved to think about my Buddhismus Gay Facebook Covers situation later. For the moment, I was printing my first book.
I would like to tell you about them now. Dieser Plan wurde von den Organisationen der dort lebenden Dayak abgelehnt. You offer a novel viewpoint that is ignited my interest. In the framework of his exhibition Pierre Verger in Suriname Willem de Rooij invites the artists Razia Barsatie, Ansuya Blom, Ruben Cabenda, and Xavier Robles de Medina to show their works on the Portikus website. Hi there, I found your website by way of Google while searching for a similar subject, your web site got here up, it seems good.
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